”Okhrim/ Hotes de passage” is a dialogue between the Jewish Occitane singer and multi-instrumentalist (hurdy-gurdy, wooden flutes, keys, accordion) Éléonore Weill and her grand-father Étienne Bertrand Weill’s projected “Metaforms” (photographs of mobiles in movements). The performance takes us on a voyage through yiddish women poetry, queer radical mentor voices and diasporic Klezmer music, traditional and original songs as well as some improvisation.
It can have different mediums and can include other performers such as musicians, dancers, designers or cooks.